b

1　/// [||] ptāñk a t k a ṣṣi tr a ṅka ṣ 、ok a t 、tmāṃ śtwar wäl ts , puklā śol、///

2　/// [·se] m a skatr a m 、tāppu tsuko k a lymeyā p a k n a ṣ tr a m 、///

3　/// ontaṃ kātklune mā m a skatr a m 、puk 、dhātu ///

4　///ñ^ä 、āmānuṣān^ä 、mā m a skaṃt a r 、mā [p]e(nu)///

5　/// ṣ[e]smi mā kroś mā om a l [p a ]///

6　/// ñc^ä , ||[ā]rdhal.ā — ///

Notes (1) Cf. A 295 b 5, end of the line.

(2) Cf. A 295 b 6, end of the line.

(3) Cf. A 295 b 7.

(4) End of a stanza in the tune Phulle (cf. phullenaṃ , A 295 b 7), type 4×14 (7/7).

Remarks on the two preceding fragments The comparison with the Berlin fragment A 295 proves that the fragments YQ 1.36 and 1.37 belong to immediately subsequent leaves, and helps to determine the recto and the reverse of each fragment. Besides that, the large fragment A 295 is the folio 67 of a manuscript. Since each act in the Tocharian version covers 15 leaves at the most, and by counting some leaves for the prologue, one would assume with some confidence that the fragments in question belong to the fifth act. But this assumption remains uncertain, because we do not have any parallel text in the Old Uighur version.

N.5. YQ 1.38

YQ 1.38 1/1 [recto]